TFRESH PRODUCTIONS
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    • Everything In Its Right Place
    • a tempo vs. Tempo I
    • Placing Fermatas over Whole Rests
    • Introduction to Linked Parts
    • Transpose Percussion Notes
    • Learn As Much As You Can...
    • A Place for Everything, and Everything In Its Place
    • Combined Staff in Score --> Separate Parts
    • Tritone and P4ths
    • Large and In Charge
    • JW Copy Part Layout
  • Home
  • About Me
  • Buy My Music
    • Chamber Music
    • Concert Band
    • Pep Band
    • Tonal Fluency
  • Theme Songs
  • Composer's Secret Weapon
    • Engraving/Preparation
    • Orchestration
    • Proofing & Consulting
  • Finale 101
  • Links
  • Contact
  • Blog
  • Articles
    • Everything In Its Right Place
    • a tempo vs. Tempo I
    • Placing Fermatas over Whole Rests
    • Introduction to Linked Parts
    • Transpose Percussion Notes
    • Learn As Much As You Can...
    • A Place for Everything, and Everything In Its Place
    • Combined Staff in Score --> Separate Parts
    • Tritone and P4ths
    • Large and In Charge
    • JW Copy Part Layout
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Composer's Secret Weapon

Feel like you are spending too much time on non-compositional aspects of your music? Wish you were able to focus more of your time and energy on what you are actually most passionate about?

Do you long for the days of yore when a composer's job was simply to compose, and not also to be the editor, proofreader, orchestrator, engraver, publisher, and publicist?

Do you want your music to stand out from the others? Not because it employs some sophomoric engraving gimmick in an effort to look modern, but rather because it is prepared at an elite professional level?
For the past 15 years, more and more composers, arrangers, and music editors have been coming to me for help with their projects. Over the past few years, the demand has been enough that I have been able to quit my day job and focus all of my time on this...my own passion...helping people from all over the world improve the quality and presentation of their music.

What makes me different than other potential engravers and orchestrators?

I care more about your project than they do.

I am not an emerging composer who does this on the side to help make ends meet while I wait for my big break. Yes, I dabble in composition on the side, but I've found that my real talents lie in taking other people's music and improving upon it, whether it be though improved notation/engraving or through improved orchestration.

I know what I am doing and am meticulous about getting it right.

My preferences and opinions are not simply based on what I've seen before in other publications; they are based on the principles and guidelines set forth by Elaine Gould, Gardner Read, and Kurt Stone...the undisputable leading authorities in this field.

Please take a look at the following services I can provide to help take your music to the next level.
I look forward to working with you on your next project.

Engraving/Preparation

Make your music look just as good as it sounds, and be prepared to
publication standards.

Orchestration

I can transform your music from piano sketches or DAW mockups to full conductor's scores and parts, ready for studio or live performance by real players.

Proofreading/
Consulting

Finishing Touches
Click Here for Engraving
Click Here for Orchestration
Click Here for Consulting
  • Home
  • About Me
  • Buy My Music
    • Chamber Music
    • Concert Band
    • Pep Band
    • Tonal Fluency
  • Theme Songs
  • Composer's Secret Weapon
    • Engraving/Preparation
    • Orchestration
    • Proofing & Consulting
  • Finale 101
  • Links
  • Contact
  • Blog
  • Articles
    • Everything In Its Right Place
    • a tempo vs. Tempo I
    • Placing Fermatas over Whole Rests
    • Introduction to Linked Parts
    • Transpose Percussion Notes
    • Learn As Much As You Can...
    • A Place for Everything, and Everything In Its Place
    • Combined Staff in Score --> Separate Parts
    • Tritone and P4ths
    • Large and In Charge
    • JW Copy Part Layout